Skip to main content
Happy Birthday, Robert!
Yesterday was my "little" brothers birthday. Living on Long Island, N.Y., he's a beach kinda guy. So, this painting is a tribute to him, from his "big" brother in Florida.
Love you, bro! 

Morning Glory,  12x24  Acrylic on Panel  131482





Comments

Popular posts from this blog

Website Changes & New Focus Part 2

Beach Romance, 16x20 Pointillist Painting This is the second part of a short 2 part post. As noted in my last post, I explained what Romantic Realism was and why I was moving forward as a Romantic Realist painter. I thought I should also explain why I no longer planned on painting as a Pointillist painter. As a result, my Pointillist art will no longer be a focus on my website at, https://edmccarthyart.com.   For many years, prior to painting as a Romantic Realist, I painted using a post-impressionist style called, Pointillism. I still have many Pointillist works available, and so I felt readers would appreciate a short brief concerning this style I worked with for so long. Pointillism, was the first style to come about after Impressionist. It is a technique whereby paint is applied closely together using tiny dots, daubs and/or dashes. Mixing dots of specific colors can create a new color. These new colors are not produced physically o...

Because It's Chilly, Damn It!

Florida Sunrise 11x14 Acrylic on Gallery Canvas It's been chilly so I just thought, what seems warm right about now? Yeah, Florida. Enjoy,  EddieMac

What's In A Name Part II

I was asked by several friends if that really was a painting or a photograph that I posted on Facebook and on my website. Well, the following images are a sequence of shots that basically amount to a demonstration of the construction of how this painting was put together. OK. This is just a peek at me working at the easel, but not on the painting under discussion.  I work with acrylics on canvas, or hardboard panels. I'm also sorta anal about keeping a fairly neat studio.   This is the painting I'm discussing. I prefer to work in layers.  My feeling is that this is how the world we see, really exists. I start with the sky way in the distance, and just like reality,  I add the next closest layer, distant clouds, mist, etc.  and move  progressively closer to the viewer.  No clouds in the piece, but a very definite haze surrounding the sun. Here  I begin building up thin layers of haziness in the atmosphere...